Since joining 99pi, Kurt has given talks about design at events like Adobe MAX in San Francisco and Nerd Nite in Oakland. He has also participated in programs at the AIA New York’s Center for Architecture and Cities@Tufts, and been featured in industry publications such as ArchDaily.

In 2018, Kurt joined the show’s six-city East Coast tour spanning Atlanta, Durham, Washington, D.C., Boston, Brooklyn, and Manhattan. Along the way, he presented to live audiences about how the invention of Kindergarten catalyzed an era of Modern art and design.

In 2020, Kurt co-authored a critically acclaimed book about the built world with show host Roman Mars, which became an overnight NYT and National Best Seller. The 99% Invisible City: A Field Guide to the Hidden World of Everyday Design recieved glowing reviews from The New York Times and Booklist, as well as a starred review from Kirkus. Other sources of coverage have included The Architect’s Newpaper, The New York Post, SF Weekly, NPR, MPR News, Fast Company, and Slate.

The book has also been adopted into university library core collections across the United States and in other English-speaking countries. Translated editions have been published in various languages as well, including Spanish, Czech, Thai, Chinese, Korean, and Japanese.

Stories for the book were variously adapted from Kurt’s articles, episodes of the show, and enitrely new material. The foundational structure as well as the content of the project was informed by WebUrbanist, a publication Kurt evolved to utilize highly categorical and visual-first approaches to design coverage. Writing on WU about “desire paths” led to Kurt’s first story as 99pi’s Digital Director, which in turn became the framing metaphor used to introduce the book as a “field guide.”

WebUrbanist was created to make design stories more accessible through print and imagery. Kurt’s research into urban design and adaptive reuse, as published on WU, has been integrated into city planning research at MIT, featured as a case study by architecture faculty, and cited as a primary source for the study of transient semiotics in the peer-reviewed journal Societies.

His analysis of sustainable urban systems has been referenced by studies published, for instance, in the journal Sustainability: Science, Practice and Policy; as well architectural critiques, such as the "Renderings vs. Reality" series, are cited within the ResearchGate database by scholars.

Work on WU also led to various speaking invitations, including one from the Highlands of Scotland. Kurt traveled there to give a keynote speech on abandoned architecture and adaptive reuse at the annual Highlands and Islands Architecture Association (HIAA) award conference.

Over the years, Kurt and his flagship web publication have been covered by media outlets including (but not limited to) The GuardianCNN, Atlas Obscura, WIRED Magazine, and HYPERALLERGIC, as well as ArchDaily, Architizer, The BBC, BoingBoing, BuzzFeed, Citylab, Curbed, FARK, FastCompany, FOX, Gawker, Gizmodo, Inhabitat, Mental Floss, Metafilter, MSNBC, Neatorama, NPRSlashdot, Streetsblog, TECHEBLOG, The Spaces, TIME, TODAY, and the Tri-County Independent.

In 2025, as part of a 12-piece web and audio project titled Adapt or Design, Kurt developed a free one-handed keyboard system for people with physical impairments — he designed and implemented this solution after a debilitating injury rendered his (dominant) right hand unable to type. AoD has been featured on Articles of Interest and HackaDay, recommended by Parkinson’s communities, and cited on gaming accessibility forums as a definitive guide to one-handed living.

As a young adult, Kurt worked professionally on residential, industrial, theatrical, furniture, graphic and web design projects. He spent years doing carpentry and construction between undergrad and grad schools, before becoming a teaching assistant for multiple courses in architecture and urban design. Upon completing his professional degree, he gave himself three months to turn a rent-paying profit on his first design publication. He hit that mark and never looked back,